I just got some good feedback from a good friend of mine about Someotherville, and I now feel fairly confused. I was really surprised by her feedback – she loved the parts about Joan, didn’t like the story within a story at all.
At first I was slightly defensive because I was hoping that the two stories would meld together in the end, and it would be obvious or feel inevitable that it had to happen the way it happened. But this was not how my friend felt about it.
As we were talking it through, I remembered that the part where she really didn’t like it was the same part where I didn’t know what to do next, and so I pulled something extreme out of the hat. I think that at the time of writing it, I had it in the back of my mind that I could always change things and that it would be best if I just forged ahead.
But now I am second guessing whether I could go back in and change the story within a story to either have more details about the secondary characters *which I should do because I do go on about how secondary characters are pivotal, and we often end up caring about them more than the main characters* or whether it was a poor choice for the story within a story, since it’s so weak – I mean, who really cares about a spy story? Cold war stuff is completely played out – when it was the 39 steps or whatever, it was fresh because people didn’t know what was happening or why. Now it really is a stereotype, a stock story. Alias…dollhouse… and those are just recent examples.
There’s only a certain kind of friend that can tell you that something you wrote is gimmicky. But now that it’s said, I guess it is a little. It was a quick fix for a long term problem, and it shows.
So not to be too mean to myself – that’s not what I’m trying to do – but I’m trying to convince myself that i do need to dive back into this pool – it can be better. Arwin, Cece and Katrina need to have more substance before they will ever seem real to people. I am heartened by the fact that someone thought Arwin seemed real. That makes me happy.
Now I need to tend to the rest of them. Maybe it’s a matter of pride, I really had thought I finished a book in a month, with only needing minor rewrites. Now if I go back in and make major changes, that is no longer the case. Yeah. Pride is foolish. Do I want this to be something that is read and cast aside as being mostly really good, or do I want it to be better than that?
Obvious answer. So now I know the task ahead of me – I don’t know how I’m going to do it – or whether I should do it – funny…I just had a moment of feeling exactly how Joan felt – she didn’t know if she should write her project either, but she felt compelled. And I feel compelled. So there you have it. The adventure begins again.